Sirui Anamorphic Venus 3x Lens-Kit (35/75/150mm) + Hard case Z-Mount
Wider than Wider
These lenses features a 1.6 times squeeze factor. When Shoot in 3:2, it will yield a 2.4:1 aspect ratio.
When the sensor is set at 16:9, you´ll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is at premium and immersive as the IMAX format.
Frames as You Like
Whether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post.
For ex. if part of an image is redundant, just crop it out without worrying about pixel loss.
35mm - Wide Field of view
The 35mm anamorphic is equivalent to the horizontal field of view of a Fullframe 22mm, allowing more elements to be included into the frame, therefore suitible for shooting arcitectures, landscapes and in tight spaces.
75mm - longer reach
75mm T2.9 1.6x behaves like a 46mm horizontally while retaining the vertical FOV of a 75mm, so a narrow angle of view is formed.
150mm - Tele-lens
The extra reach of this 150mm telelens allows you to frame the subject properly without having to stand very close to it.
Equivalent to a 94mm horizontally, it is considered a great choice for portrait, close up, emotion expression, still life, distance subjects etc.
The 150mm has a shallower depth of field, smoother blurred backgrounds and more elongated oval bokeh than the other lenses, which separates the subject from the background.
Breaking through the limitation of other anamorphic lenses, this 150mm lens, with the minimum focus distance of 0.58m, is suitible for close-ups.
Beutiful Oval Bokeh
This lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics.
Vibrant Lens Flares
Pointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are knowned for, adding a sprinkle of magic to your image.
A Maximum Aperture of T2.9
When shooting wide open at T2.9 with the focus concentrating on the subject, you´ll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control.
Cine Lens Housing
This lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of follow-focus system. With a 1/4" screw hole at the bottom, the lens can be mounted directly on the quick release plate to maintain the balance of the whole setup.
Match Perfectly with Full Frame Cameras
This lens comes in native mount for RF, L, E and Z mount systems, compatible with such full frame cameras as Panasonic S1H, S5, RED KOMODO, RED V-RAPTOR ST, Canon R5, R6, C70, Sony FX-3, FX-6 and Nikon Z6 and Z7. As an inexpensive alternative to branded full frame anamorphic lenses, this lens is going to make anamorphics accessible to more people for more situations.
Package Includes:
- Sirui Venus Anamorphic 1.6x 35mm T2.9 Z-Mount
- Sirui Venus Anamorphic 1.6x 75mm T2.9 Z-Mount
- Sirui Venus Anamorphic 1.6x 150mm T2.9 Z-Mount
- Sirui Hard Case for Venus Lenses
